| Best American Play | Megan Terry, Approaching Simone |
| Paul Zindel, The Effect of Gamma Rays on Man-in-the-Moon Marigolds |
| Best Musical | Gretchen Cryer and Nancy Ford, The Last Sweet Days of Isaac |
| Robert Livingston, Gary William Friedman and Will Holt, The Me Nobody Knows |
| Best Foreign Play | Joe Orton, What the Butler Saw |
| Distinguished Plays | Vaclav Havel, The Increased Difficulty of Concentration |
| Murray Mednick, The Deer Kill |
| Distinguished Direction | Alan Arkin, The White House Murder Case |
| Melvin Bernhardt, The Effect of Gamma Rays on Man-in-the-Moon Marigolds |
| Maxine Klein, Approaching Simone |
| Gilbert Moses, Slave Ship |
| Best Performance | Sada Thompson, The Effect of Gamma Rays on Man-in-the-Moon Marigolds |
| Distinguished Performances | Beeson Carroll, The Unseen Hand |
| Vincent Gardenia, Passing Through Exotic Places |
| Harold Gould, The Increased Difficulty of Concentration |
| Anthony Holland, The White House Murder Case |
| Lee Kissman, The Unseen Hand |
| Ron Leibman, Transfers |
| Roberta Maxwell, Whistle in the Dark |
| Rue McClanahan, Who's Happy Now? |
| Pamela Payton-Wright, The Effect of Gamma Rays on Man-in-the-Moon Marigolds |
| Austin Pendleton, The Last Sweet Days of Isaac |
| Fredericka Weber, The Last Sweet Days of Isaac |
Information Please® Database, © 2007 Pearson Education, Inc. All rights reserved.
